The obvious competitor for the Canon EF 100mm f/2.8L IS USM lens is its predecessor, the Canon EF 100mm f/2.8 USM. The older design offers a very good performance and is a very sharp lens. The IS model is a tad sharper but honestly, its splitting hairs. The newer model does have weather sealing, better bokeh and better handling of flare but the
Sony FE 16-35mm F2.8 GM on Sony A7R II vs Canon EF 16-35mm f/2.8L III USM on Canon EOS 5DS R COMPARISON SELECTION (3 selected items max.) VIEW COMPARISON ADD MORE
The Canon EF 35mm f/1.4L II USM Lens replaces the 1998-era Canon EF 35mm f/1.4L USM Lens, a lens that Chuck Westfall (Canon U.S.A.) referred to as a "mainstay with a lot of photographers" and a "tough act to follow". With the popularity enjoyed by the very useful 35 L version I, success to an improved version of this lens was nearly assured.
Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras - Fixed dummy YONGNUO YN35mm F2 Lens 1:2 AF/MF Wide-Angle Fixed/Prime Auto Focus Lens for Canon EF Mount EOS Camera Black
The 16-35 is built to last and work in the most trying of environments. The Canon 16-35mm f/2.8 L II is Canon's flagship full-frame wide-angle zoom. Only the 14mm f/2.8 L is wider and as fast (the Canon 8-15mm fisheye is wider, but the fisheye adds a different level of distortion and it is f/4). As such, we'd expect it to have the best optics
The Canon EF 70-300mm f/4-5.6L IS USM broke the mold - offering a half-way house between the two types. Despite having a fairly modest filter diameter of 67mm, 10mm less than the fast Canon EF 70-200mm f/2.8 L IS II USM lens, the lens barrel is almost the same width. At first the 70-300mm L looks like a budget telephoto zoom packed into an
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canon ef 16 35 2.8 l usm ii review